A self-portrait

(in-camera multiple exposure using three color filters)

"Ceiling Lamps in a Restaurant"

(in-camera image, no post-production)


"Looking for a Shade"

(35 mm film, no post-processing)

"Cardboard Romance"

(in-camera image, no post-production)

"No More, Mr. Nice Guy"

"A Phone Call"

(straight photo)

"On a Street in Budapest"

(straight photo)

"Scrapers in the Sky" 

(in-camera image, no post-production)

"Enjoy" 

(straight photo)

"A Door" 

(straight photo)

"Burj Khalifa at Night" 

(straight image)

"Urban Ruin" 

(35 mm film, no computer post-production)

"Connected" 

(straight photo)

"Dog Sled, Alaska" 

(straight photo)

"Summer in Alaska"

(straight photo)

"In Alaskan Fjord"

(straight photo)

"Blue Glacier Ice in Alaska" 

(straight photo)

"Alaska" 

(straight photo)

"Ocean" (straight photo)

"A Game in the Heat" 

(in-camera image, no post-production)

"Come Inside (Venice)"

(in-camera image, no post-production)

"Two-fold" 

(straight image)

"A Visitor" 

(in-camera photo, no post-production)

"Under the Sun / The Sun Under" 

(35 mm film, no computer post-production)

"The Land and the Sea" 

(in-camera image, no post-production)

"Afternoon Surprise" 

(straight photo)

"Locked" 

(straight photo)

"Brighton Beach, Brooklyn, NY" 

(in-camera image, no post-production)

"Bent"

(in-camera image, no post-production)

"Only Blue"

(in-camera image, no post-production)

"Parked"

(straight photo)

"Stone Wall"

(in-camera image, no post-production)

"In an Amusement Park"

(in-camera photo, no post-production)

"Fries and Things" (straight photo)

"Evening in Washington, D.C" (straight photo)

"The Flatiron Building, New York"

(in-camera image, no post-production)

"Windowed Door"

(straight photo)

"WaterSkyLine"

(in-camera image, no post-production)

"On a Sunday Afternoon"

(in-camera image, no post-production)

"Back in the Art Gallery"

(in-camera image, no post-production)

"Sharp"

(35 mm film, straight photo)

"Steps in the Clouds"

(35 mm film, no computer post-production)

"Walls and Windows"

(in-camera image, no post-production)

"The Virtues of Reality"

(in-camera image, no post-production)

"Balancing  Act in the Summertime"

(in-camera image, no post-production)

"A Walk in Low Tide with Some Birds"

(straight photo)

"The Sky and the Sea" (in-camera image, no post-production)

"Bike"

(straight photo)

"Vesta (Rome)"

(straight image)

"Clockwork Bowler Hat"

(in-camera image, no post-production)

"Time Is Ticking"

(in-camera image, no post-production)

"On a Street in Sienna, Italy"

(straight image)

"Convergence"

(in-camera image, no post-production)

"In Kuala Lumpur, Malaysia"

(a straight image)

Top section of one of Petronas Twin Towers, Kuala Lumpur, Malaysia

(straight photo)

"In Downtown Kuala Lumpur, Malaysia" 

 (straight photo)

"One City"

(straight photo, Kuala Lumpur, Malaysia)

"At Home by the Fire"

(straight photo - inside the home of an aboriginal Malaysian Orang Asli)

"A Vision in Enormous Soft Blue"

(in-camera image, no post-production)

"Zeppelin Heindenberg Crash" (1937) and "A Perilous Bicycle Ride Down Capitol Stairs" (1884)"

(in-camera double exposure of two vintage photos)

"Hand"

(in-camera image, no post-production)

"View from Above, No. 2"

(in-camera image, no post-production)

"Here He Comes"

(in-camera image, no post-production)

"The Boy and the Sea"

(35mm film, no computer post-production)

"Trees"

(35 mm film, no computer post-production)

"Two Doors"
(35 mm film, no computer post-production)

"In a Corner"

(35 mm film, no computer post-production)

"Space Intersections"

(in-camera image, no post-production)

"Three Colors, Three Shapes"

(straight photo)

"Geometric Colors"

(35 mm film, no computer post-production)

"New Jersey Shore, No.1"

(straight photo, no post-production)

Slow Surfers"

(in-camera image, no post-production)

"Forever"

(35 mm film, no computer post-production)

"Shape of Memories"

(35 mm film, no computer post-production)

"Dreaming"

(35 mm film, no computer post-production)

"Bubbly Nude"

(35 mm film, no computer post-production)

"Nude in the Dark"

(35 mm film, no computer post-production)

"Fancy Buttocks"

(35 mm film, no computer post-production)

"Chinatown Nude"

(35 mm film, no computer post-production)

"Impossible Nude"

(35 mm film, no computer post-production)

"Orange Line"

(35 mm film, no computer post-production)

"A Welcoming Mannequin"

(35 mm film, straight photo)

"A Beach Waiter" (in-camera image, no post-production)

"Art NY"

(in-camera image, no post-production)

From the "Cosmic" series (straight image)

"Red Rocks, Blue Water"

(in-camera image, no post-production)

"Blue Flame"

(in-camera image, no post-production)

"In Swirls"

(in-camera image, no post-production)

"Inside a Gallery"

(in-camera image, no post-production)

"Crowded Beach" 

(in-camera image, no post-production)

"Up or Down"

(in-camera image, no post-production)

"Spheres"

(35 mm film, no computer post-production)

"Cacti"

(straight photo)

"Getting Dark"

(35 mm film, straight photo)

"Geese, Geese, Geese..."

(in-camera image, no post-production)

"The Sea"

(straight photo)

"Scaffolding"

(in-camera image, no post-production)

"Merging Time and Places"

(35 mm film, no computer post-production"

"After a Fire"

(35 mm film, no computer post-production)

"Rust"

(straight photo)

"A Small Cloud"

(in-camera image, no post-production)

"Arches"

(straight photo)

"Just a Tree"

(photo on 35 mm film, in-camera image, no post-production)

"A Mystery in Blue"

(in-camera image, no post-production)

"A Can of Paint"

(straight image)

"Remnants"

(straight photo)

"Splash"

(in-camera photo, no post-production)

"Untold Knowledge"

(35 mm film, no computer post-production)

"Street Reflection" (in-camera image, no post-production)

"Sea Mostly (Aruba)"

(in-camera image, no post-production)

"Abu Dhabi" (straight image)

"Broken Pattern" (in-camera image, no post-production)

"Orange and Green" (straight photo with a color polarizing filter)

"Magenta and Blue" (straight photo with a color polarizing filter)

"A Tree in Spring" (in-camera image, no post-production)

"The Swing" (35 mm film, no computer post-production)

"Forest" (35 mm film, no computer post-production)

"On a Farm"

(in-camera image; color enhancement)

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