ALL CREATIONS

A self-portrait

(in-camera multiple exposure using three color filters)

A self-portrait

(in-camera multiple exposure using three color filters)

"Bent"

(in-camera image, no post-production)

"Bent"

(in-camera image, no post-production)

"Stretched"

(in-camera image, no post-production)

"Stretched"

(in-camera image, no post-production)

"Only Blue"

(in-camera image, no post-production)

"Only Blue"

(in-camera image, no post-production)

"In Buenos Aires"

(straight photo)

"In Buenos Aires"

(straight photo)

"A Door with Windows"

(straight image)

"A Door with Windows"

(straight image)

"Many as One"

(straight photo)

"Many as One"

(straight photo)

"A Thin Line"

(straight photo)

"A Thin Line"

(straight photo)

"The Flatiron Building, New York"

(in-camera image, no post-production)

"The Flatiron Building, New York"

(in-camera image, no post-production)

"WaterSkyLine"

(in-camera image, no post-production)

"WaterSkyLine"

(in-camera image, no post-production)

"Wooden Board"

(straight image)

"Wooden Board"

(straight image)

"Surfaces"

(straight photo)

"Surfaces"

(straight photo)

"A Wall"

(35 mm film, no computer post-production)

"A Wall"

(35 mm film, no computer post-production)

"Sharp"

(35 mm film, straight photo)

"Sharp"

(35 mm film, straight photo)

"Come Inside (Venice)"

(in-camera image, no post-production)

"Come Inside (Venice)"

(in-camera image, no post-production)

"Steps in Clouds"

(35 mm film, no computer post-production)

"Steps in Clouds"

(35 mm film, no computer post-production)

"Walls and Windows"

(in-camera image, no post-production)

"Walls and Windows"

(in-camera image, no post-production)

"The Virtues of Reality"

(in-camera image, no post-production)

"The Virtues of Reality"

(in-camera image, no post-production)

"Translucent Trees"

(35 mm film, no computer post-production)


"Translucent Trees"

(35 mm film, no computer post-production)


"White and Blue"

(in-camera image, no post-production)

"White and Blue"

(in-camera image, no post-production)

"Balancing  Act in the Summertime"

(in-camera image, no post-production)

"Balancing  Act in the Summertime"

(in-camera image, no post-production)

"Bike"

(straight photo)

"Bike"

(straight photo)

"Clockwork Bowler Hat"

(in-camera image, no post-production)

"Clockwork Bowler Hat"

(in-camera image, no post-production)

"Time Is Ticking"

(in-camera image, no post-production)

"Time Is Ticking"

(in-camera image, no post-production)

"On a Street in Sienna, Italy"

(straight image)

"On a Street in Sienna, Italy"

(straight image)

"Once in Rome"

(straight photo)

"Once in Rome"

(straight photo)

"Convergence"

(in-camera image, no post-production)

"Convergence"

(in-camera image, no post-production)

"In Kuala Lumpur, Malaysia"

(a straight image)

"In Kuala Lumpur, Malaysia"

(a straight image)

Petronas Twin Towers, Kuala Lumpur, Malaysia

(straight photo)

Petronas Twin Towers, Kuala Lumpur, Malaysia

(straight photo)

Petronas Twin Towers at night, Kuala Lumpur, Malaysia

(straight photo)

Petronas Twin Towers at night, Kuala Lumpur, Malaysia

(straight photo)

Top section of one of Petronas Twin Towers, Kuala Lumpur, Malaysia

(straight photo)

Top section of one of Petronas Twin Towers, Kuala Lumpur, Malaysia

(straight photo)

"In Downtown Kuala Lumpur, Malaysia" 

 (straight photo)

"In Downtown Kuala Lumpur, Malaysia" 

 (straight photo)

"One City"

(straight photo, Kuala Lumpur, Malaysia)

"One City"

(straight photo, Kuala Lumpur, Malaysia)

"Dreamy City"

(in-camera image, no post-production)

"Dreamy City"

(in-camera image, no post-production)

"At Home by the Fire"

(straight photo - inside the home of an aboriginal Malaysian Orang Asli)

"At Home by the Fire"

(straight photo - inside the home of an aboriginal Malaysian Orang Asli)

"Sunny San Juan"

(straight photo)

"Sunny San Juan"

(straight photo)

"Vision in Enormous Soft Blue"

(in-camera image, no post-production)

"Vision in Enormous Soft Blue"

(in-camera image, no post-production)

"Zeppelin Heindenberg Crash" (1937) and "A Perilous Bicycle Ride Down Capitol Stairs" (1884)"

(in-camera double exposure of two vintage photos)

"Zeppelin Heindenberg Crash" (1937) and "A Perilous Bicycle Ride Down Capitol Stairs" (1884)"

(in-camera double exposure of two vintage photos)

"Hand"

(in-camera image, no post-production)

"Hand"

(in-camera image, no post-production)

"View from Above, No. 1"

(in-camera image, no post-production)

"View from Above, No. 1"

(in-camera image, no post-production)

"View from Above, No. 2"

(in-camera image, no post-production)

"View from Above, No. 2"

(in-camera image, no post-production)

"Here He Comes"

(in-camera image, no post-production)

"Here He Comes"

(in-camera image, no post-production)

"The Boy and the Sea"

(35mm film, no computer post-production)

"The Boy and the Sea"

(35mm film, no computer post-production)

"Trees"

(35 mm film, no computer post-production)

"Trees"

(35 mm film, no computer post-production)

"Two Doors"
(35 mm film, no computer post-production)

"Two Doors"
(35 mm film, no computer post-production)

"Gray Sand"

(straight photo)

"Gray Sand"

(straight photo)

"Talking Balconies"

(straight photo)

"Talking Balconies"

(straight photo)

"Windy Plain"

(in-camera image, no post-production)

"Windy Plain"

(in-camera image, no post-production)

From the "Cosmic" series

(a straight photo)

From the "Cosmic" series

(a straight photo)

"Chicago Mystery"

(straight photo)

"Chicago Mystery"

(straight photo)

"In a Corner"

(35 mm film, no computer post-production)

"In a Corner"

(35 mm film, no computer post-production)

"Space Intersections"

(in-camera image, no post-production)

"Space Intersections"

(in-camera image, no post-production)

"Shells"

(in-camera image, no post-production)

"Shells"

(in-camera image, no post-production)

"Three Colors, Three Shapes"

(straight photo)

"Three Colors, Three Shapes"

(straight photo)

"On a Sunday Afternoon"

(in-camera image, no post-production)

"On a Sunday Afternoon"

(in-camera image, no post-production)

"Stone Wall"

(in-camera image, no post-production)

"Stone Wall"

(in-camera image, no post-production)

"Four Colors and Shapes"

(in-camera image, no post-production)

"Four Colors and Shapes"

(in-camera image, no post-production)

"Edges"

(in-camera image, no post-production)

"Edges"

(in-camera image, no post-production)

"Shapes and Colors"

(35 mm film, no computer post-production)

"Shapes and Colors"

(35 mm film, no computer post-production)

"Night in the City"

(straight image, no post-production)

"Night in the City"

(straight image, no post-production)

"Narrow Reflection"

(in-camera image, no post-production)

"Narrow Reflection"

(in-camera image, no post-production)

"New Jersey Shore"

(straight photo, no post-production)

"New Jersey Shore"

(straight photo, no post-production)

"New Jersey Shore, No.2"

(straight photo)

"New Jersey Shore, No.2"

(straight photo)

"Learning to Surf"

(in-camera image, no post-production)

"Learning to Surf"

(in-camera image, no post-production)

"Learning to Surf"

(in-camera image, no post-production)

"Learning to Surf"

(in-camera image, no post-production)

"A Fence in the Sand"

(35 mm film, no computer post-production)

"A Fence in the Sand"

(35 mm film, no computer post-production)

"Forever"

(35 mm film, no computer post-production)

"Forever"

(35 mm film, no computer post-production)

"Shape of Memories"

(35 mm film, no computer post-production)

"Shape of Memories"

(35 mm film, no computer post-production)

"Dreaming"

(35 mm film, no computer post-production)

"Dreaming"

(35 mm film, no computer post-production)

"Bubbly Nude"

(35 mm film, no computer post-production)

"Bubbly Nude"

(35 mm film, no computer post-production)

"Nude in the Dark"

(35 mm film, no computer post-production)

"Nude in the Dark"

(35 mm film, no computer post-production)

"Fancy Buttocks"

(35 mm film, no computer post-production)

"Fancy Buttocks"

(35 mm film, no computer post-production)

"Chinatown Nude"

(35 mm film, no computer post-production)

"Chinatown Nude"

(35 mm film, no computer post-production)

"Impossible Nude"

(35 mm film, no computer post-production)

"Impossible Nude"

(35 mm film, no computer post-production)

"A Welcoming Mannequin"

(35 mm film, straight photo)

"A Welcoming Mannequin"

(35 mm film, straight photo)

"Light Strokes"

(in-camera image, no post-production)

"Light Strokes"

(in-camera image, no post-production)

"Running Server"

(in-camera image, no post-production)

"Running Server"

(in-camera image, no post-production)

"Art NY"

(in-camera image, no post-production)

"Art NY"

(in-camera image, no post-production)

"Red Rocks, Blue Water"

(in-camera image, no post-production)

"Red Rocks, Blue Water"

(in-camera image, no post-production)

"Blue Flame"

(in-camera image, no post-production)

"Blue Flame"

(in-camera image, no post-production)

"In Swirls"

(in-camera image, no post-production)

"In Swirls"

(in-camera image, no post-production)

"A Study in Concrete"

(in-camera photo, no post-production)

"A Study in Concrete"

(in-camera photo, no post-production)

"Different and Same"

(in-camera photo, no post-production)

"Different and Same"

(in-camera photo, no post-production)

"NY Stairs"

(in-camera image, no post-production)

"NY Stairs"

(in-camera image, no post-production)

"Inside a Gallery"

(in-camera image, no post-production)

"Inside a Gallery"

(in-camera image, no post-production)

"Back in the Art Gallery"

(in-camera image, no post-production)

"Back in the Art Gallery"

(in-camera image, no post-production)

"Crowded Beach" 

(in-camera image, no post-production)

"Crowded Beach" 

(in-camera image, no post-production)

"Mannequins"

(straight image)

"Mannequins"

(straight image)

"Up or Down"

(in-camera image, no post-production)

"Up or Down"

(in-camera image, no post-production)

"Abandoned Billboard"

(straight photo)

"Abandoned Billboard"

(straight photo)

"Vesta (Rome)"

(straight image)

"Vesta (Rome)"

(straight image)

"Spheres"

(35 mm film, no computer post-production)

"Spheres"

(35 mm film, no computer post-production)

"Cacti"

(straight photo)

"Cacti"

(straight photo)

"More Cacti"

(straight photo)

"More Cacti"

(straight photo)

"Gloomy in Florida"

(35 mm film, straight photo)

"Gloomy in Florida"

(35 mm film, straight photo)

"Geese, Geese, Geese..."

(in-camera image, no post-production)

"Geese, Geese, Geese..."

(in-camera image, no post-production)

"The Sea"

(straight photo)

"The Sea"

(straight photo)

"Steel Water"

(straight photo)

"Steel Water"

(straight photo)

"Aluminum Foil"

(straight photo)

"Aluminum Foil"

(straight photo)

"An Evening Walk in Low Tide"

(straight photo, telephoto lens)

"An Evening Walk in Low Tide"

(straight photo, telephoto lens)

"A Walk in Low Tide with Some Birds"

(straight photo)

"A Walk in Low Tide with Some Birds"

(straight photo)

"Renovation"

(in-camera image, no post-production)

"Renovation"

(in-camera image, no post-production)

"Merging Time and Places"

(35 mm film, no computer post-production"

"Merging Time and Places"

(35 mm film, no computer post-production"

"Just a Tree"

(photo on 35 mm film, in-camera image, no post-production)

"Just a Tree"

(photo on 35 mm film, in-camera image, no post-production)

"A Mystery in Blue"

(in-camera image, no post-production)

"A Mystery in Blue"

(in-camera image, no post-production)

"Pay-Per-View"

(in-camera image, no post-production)

"Pay-Per-View"

(in-camera image, no post-production)

"Cosmic (#1)"

(in-camera image, no post-production)

"Cosmic (#1)"

(in-camera image, no post-production)

"Cosmic (#2)"

(in-camera image, no post-production)

"Cosmic (#2)"

(in-camera image, no post-production)

"Cosmic (#3)"

(in-camera image, no post-production")

"Cosmic (#3)"

(in-camera image, no post-production")

"Two Forces of Nature"

(in-camera image, no post-production)

"Two Forces of Nature"

(in-camera image, no post-production)

"After a Fire"

(35 mm film, no computer post-production)

"After a Fire"

(35 mm film, no computer post-production)

"A Can of Paint"

(straight image)

"A Can of Paint"

(straight image)

"Black and Gray"

(35 mm film, straight photo)

"Black and Gray"

(35 mm film, straight photo)

"Two Rectangles and a Square (NY City)"

(straight photo)

"Two Rectangles and a Square (NY City)"

(straight photo)

"Two Blue Boards"

(straight photo)

"Two Blue Boards"

(straight photo)

"Rust and More"

(straight photo)

"Rust and More"

(straight photo)

"Sky in a Hole"

(straight photo)

"Sky in a Hole"

(straight photo)

"Directions of Color"

(35 mm film, no computer post-production)

"Directions of Color"

(35 mm film, no computer post-production)

"Color Play (#1)"

(straight photo)

"Color Play (#1)"

(straight photo)

"Remnants"

(straight photo)

"Remnants"

(straight photo)

"Color Play (#2)"

(straight photo)

"Color Play (#2)"

(straight photo)

"Red in Red"

(straight photo)

"Red in Red"

(straight photo)

"San Juan Street"

(35 mm film, straight photo)

"San Juan Street"

(35 mm film, straight photo)

"The Sky and the Sea"

(in-camera image, no post-production)

"The Sky and the Sea"

(in-camera image, no post-production)

"Pole in the Water"

(in-camera image, no post-production)

"Pole in the Water"

(in-camera image, no post-production)

"A No-Walls Cafe"

(in-camera image, no post-production)

"A No-Walls Cafe"

(in-camera image, no post-production)

"Nowhere Walls"

(straight photo)

"Nowhere Walls"

(straight photo)

"School of Fish"

(35 mm film, straight photo)

"School of Fish"

(35 mm film, straight photo)

"Splash"

(in-camera photo, no post-production)

"Splash"

(in-camera photo, no post-production)

"Arches"

(straight photo)

"Arches"

(straight photo)

"Dancing Lights (NY City at night"

(straight photo, no post-production)

"Dancing Lights (NY City at night"

(straight photo, no post-production)

"A Vision in the Night"

(straight photo)

"A Vision in the Night"

(straight photo)

"The Beach"

(35 mm film, straight photo, no post-production)


"The Beach"

(35 mm film, straight photo, no post-production)


"Untold Knowledge"

(35 mm film, no computer post-production)

"Untold Knowledge"

(35 mm film, no computer post-production)

Using Format